Ah, to write is very tiring and very time consuming. Yesterday, I have written about a paragraph of my review of
Inception before I was lost in an ocean of office work (not that I'm complaining, I should be working, in the first place), so that's that, and it ended there.
So now, just to satisfy my own longing for my own review of two films I watched over the weekend, I'll be mashing them into one post. Here it goes...
PS
This may contain spoilers so read on your own risk. :)
Inception by Christopher NolanAs I said in another
post, this film promises a weird and hopefully exciting world. The premise of the story is that people, in the world of the film, can now steal information directly from other people's minds. Neat? Yeah...Leo is an
extractor, the one who does the actual stealing, who can't over the guilt over his wife's death. He forms a band of
thieves for one a last mission: an
inception, or the act of putting an idea in a person's mind. Together with a
researcher (Gordon-Levitt), a
forger (Hardy), a chemist (Rao) and an
architect (Page), accompanied by the one who commissioned the job (Watanabe), they journeyed into their target's mind (Murphy) where they are forced to confront the devils of reality, well, especially in the case of Leo, where his projection of his wife, every now and then appears and sabotages the mission, which climaxes in a gripping confrontation, and an intriguing ending.

To explain the movie would defeat its purpose. The film's aim could be, in itself,
inception, the same with other movies worthy of the name. To instill an idea in a person's mind is one of the aims of art. This film does this. By questioning the thin line we tread between the real and the imagined (or in this case, the dreamed), we then define each and in turn know its constitution, and as part of it, we then come to the knowledge of what we are. When we have knowledge of what is real, then we are in touch of what we are in the now, and have a foresight of what we should be. Leo talks about being trapped in the
Limbo, an eternal nothingness, just plain
idea. Creation and time mashed together - that's what God might have felt, when the world begun, an idea, nothing more.
When the film began, we are very much in the
real. We are in touch with the
real (and by real I mean worldly, meaning of this world) conflicts of the film: Cobb's failure to retrieve information from Saito, Cobb's and Arthur's planned escape, Cobb's conflict with his children and with his own past. But as we progress into the film, we get deeper into Cobb's character (mainly from the eyes of the
architect Ariadne) and we realize the root of the conflict which lies in the imagined.
As the protagonists try to overcome the physical conflict, the inception of Fischer Jr's mind (which, ironically, also lies in the imagined), Cobb also struggles to overcome his own devils. In the end, it is left to the viewers to determine whether Cobb ended in the real, or the imagined.
The stunning visual graphics only heightens the feeling of and the experience within a dream. It is not distracting in any way and is very much essential in the film's storytelling. Plot-wise, I first had an issue regarding the seeming unimportance and irrelevance of
idea to be
incepted. But, after thinking it through, it was more appropriate to have a shallow physical story so that the deeper, more complex internal conflict of the protagonist could surface.
PS.
Kitty Pryde aka, Ellen Page, is soooooooooooooooooooooooooooooooooooooo cute! :)

Overall: 8/10
Hating Kapatid by Wenn Deramas
From
a very thought-provoking
Inception experience, on Sunday, my girlfriend, after a minor skirmish (a topic of another post in itself) trooped to SM San Lazaro to watch
Hating Kapatid. The film, I should say, delivered the goods.

It is about (if you haven't guessed it yet) siblings, sisters, who grew apart from their parents. Rica (Judy Ann Santos) has, for a long time, been three persons in the life of Cecil (Sarah Geronimo)
: mother, father, sister. All these change when their parents (Cherry Pie Picache and Tonton Gutierez) comes home from Libya. This change, plus blossoming love between Cecille and Edcel (Luis Manzano) and a resurgence of romance between Rica and Bong (JC de Vera), her ex from long ago, causes hilarious twists and turns until everything gets resolved, as is in every feel-good movie, happily.
The movie, as I said, delivered. Sarah and Judy Ann have good comedic timing add to the craziness of Vice Ganda and you have a movie. The films also hits a soft spot in every Filipinos' heart: family. It touches on having siblings, extended families, and family members (especially parents) working overseas. Opening at 11 million, it deserves, all the nods it gets.
Overall: 6/10
PS.
Sarah is also sooo cute. :)

So that's that...till the next movie...which, I'm praying should be soon. The next movie event to watch is
Harry Potter and the Deathly Hallows, Part 1, and that's almost four months from now. Such a long wait for half of a movie. Jeeez...corporates. They better make sure it's worth the wait.